Selected Publications
Gray Jacobik
Books
Little Boy Blue, CavanKerry Press, February 2011.
Brave Disquises, (winner of the Associated Writing Program’s Poetry Series Award), University of Pittsburgh Press, September 2002.
The Surface of Last Scattering (winner of the X. J. Kennedy Prize), Texas Review Press, Huntsville, TX, 1999.
The Double Task (winner of The Juniper Prize), University of Massachusetts Press, Amherst, MA., 1998.
Sandpainting, (chapbook) Washington Writers’ Publishing House, 1980.
Paradise Poems (chapbook), Omega 3 Press, Washington, D.C. 1977.
Jane’s Song (chapbook), self-published, 1976.
Anthologies
“The Apple Tree,” Poetry from Paradise Valley (poems from the Valparaiso Poetry Review), Pecan Grove Press, Winter 2010.
“Forgetting David Weinstock,” Full Moon on K Street: Poems About Washington, D. C., ed. Kim Roberts, Plan B Press, January 2010.
“After a Cryptic and Bitter Exchange,” Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens, eds., Dennis Baron and James Finnegan,University of Iowa Press, 2009.
“Summer Party,” and “Morning Walk, May 6, 2008,” Guilford Poets’ Guild Anthology, Tenth Anniversary Edition, December 2009.
“Flamingoes,” Poets Guide to the Birds, eds. Judith Kitchen and Ted Kooser, Anhinga Press, 2008.
“The Shabby Truth,” “Breasts,” “Pollock’s Paintings,” and “The Lizard Man,” American Poetry Now: Pitt Poetry Series Anthology, ed. Ed Ochester, University of Pittsburgh Press, April 2007.
“The Sphere,” Never Before, Four Way Books, eds. Laure-Anne Bosselaar and Sally Ball, Fall, 2005.
“The 750 Hands,” and “The Tapeworm,” The Autumn House Anthology of Contemporary American Poetry, Autumn House Press, Pittsburgh, PA, 2005.
From the Porch of The Frost Place,” Visiting Frost: Poems Inspired by the Life and Work of Robert Frost, eds., Tammaro and Coghill, University of Iowa Press, 2005.
”Economies,” “Flamingos,” “A Serious Sweetness,” and “Skirts,” Manifestations: The d’Arts Literary Anthology, ed. Gary Corseri, Xlibris, 2004
”Skirts,” Poetry Daily: 366 Poems From the World’s Most Popular Website, eds. Selby, Boller, Yost, Sourcebooks, Inc., Naperville, Illinois, 2003.
“Bevy [Original Unknown],” “Ode to the Breeze,” “Existence as Performance,” Caduceus: Poets at Art Place, ed., Tony Fusco, Yale Medical Group Art Place, New Haven, Connecticut, Vol. 1, 2003.
”From the Porch of the Frost Place,” “After Midnight,” “Like a Pear,” and “The Ex”, The Breath of Parted Lips, Vol. II, ed., Sydney Lea, CavanKerryPress, Fort Lee, NJ.
”Under the Sign of Walt Whitman,” Dear Walt: Poems Inspired by the Life and Work of Walt Whitman, eds. Sheila Coghill andThom Tammaro, University of Iowa Press, 2003.
“The Ideal,” Weavings 2000: The Maryland Millennial Anthology, Editor, Michael S. Glaser, Maryland Commission for Celebration 2000, State of Maryland, Baltimore, MD.
“Turkeys in August,” Urban Nature: Poems About Wildlife in the City, Laure-Anne Bosselaar, Milkweed Editions, Minneapolis, MN, 2000.
“The Circle Theatre,” The Best American Poetry, 1999 (selected by Robert Bly), Scribner’s, New York, August 1999.
“A Little Charade,” The Best of The Prose Poem, Editor, Peter Johnson, White Pine Press, Buffalo, NY, 2000.
“Pregant,” in Our Beautiful Bellies: Portraits of Pregnant Women, editor and photographer, Daryn Stier (forthcoming).
“Sandwoman,” & “Heat Wave,” The Beach Book: A Literary Companion, (anthology) Editor, Aleda Shirley, Sarabande Books, Louisville, KY, 1998.
"Dust Storm," The Best American Poetry, 1997, selected by James Tate, Series Editor David Lehman, Touchstone Books, New York, NY.
“A Prelapsarian Mood Piece,” The 1996 Emily Dickinson Award Anthology,
University West Press, Flagstaff, AZ, 1997. (First-prize winner).
"Dust Storm," Anthology of Magazine Verse & Yearbook of American Poetry, 1995/1996 Edition, ed. Alan Pater, Monitor Book Co., Palm Springs, CA.
"The Chinese Chestnut Breeze," "Skirts," "Sandwoman," "A Delicate Harmonic," in The Writing Path 2, ed. Michael Pettit, University of Iowa Press, Iowa City, IO.,June 1996.
"The Quilt Show," Words & Quilts. A Selection of Quilt Poems, ed. Felicia Mitchell, (anthology), The Quilt Digest Press, NTC Publishing Group,
Lincolnwood, IL, Fall 1995.
"Deer Season," Ad Hoc Monodnock: A Literary Anthology, eds. Marie St. Onge,
Dyer and Leiblein, Monadnock Writers' Group, 1995.
"Honeymoon," Festival: An Anthology of Poems by Irish Poets and Winners of Recent New England Poetry Prizes, ed. Diana Der Hovanessian, Yellow Moon Press, Cambridge, MA.
"Coming to Power," The Cooke Book: A Seasoning of Poets (anthology), ed. Michael S. Glazer, SCOP Publications, 1987.
Articles
“The Ecstatic Erotic Poetry of Pattiann Rogers,” The Antioch Review, Yellow Springs, OH., Vol. 58, No. 3, Summer 2000.
"Emily Dickinson and Eliot's The Mill on the Floss," (article) Higginson Studies, No. 59, Second Half, 1990.
Reviews
“Ann Silsbee’s Orioling”, Valparaiso Poetry Review, Spring 2004.
“Ode to the Cold War: Poems New and Selected by Dick Allen,” The Antioch Review, Yellow Springs, OH., Vol. 57, No. 2, Spring 1999, p. 247.
“Resurrection by Nichole Cooley and Passages by Catherine Savage Brosman,” Louisiana Literature, Summer 1997.
"Catch-as-Catch-Can," My Back Pages (guest column), The Boston Sunday
Globe, Book Reviews, May 12, 1996.
"Vico And Joyce," James Joyce Quarterly, Spring 1988.
Fiction
"The Transpersonal," The Nebraska Review, Spring 1991.
Interviews
September’s Artist of the Month, interview conducted by Ken Robidoux,
http://www.connotationpress.com/featured-artist/september-2010/
552-gray-jacobik-featured-artist-of-the-month
“Of Paper and Canvas: An Interview with Gray,” Conducted by Jessica Wilson, Mosaic: Art and Literary Journal, Univ. of Calif., Riverside, Dept. of Creative Writing, 2003, pp. 29-37.
“Shades of Gray” by Kyrie O’Connor, Northeast, The Hartford Courant Sunday Magazine, June 20, 1999.
Tamaqua, Timmerman, Summer/Fall 1990.
Poems In Literary Journals And Magazines
“Paris, 1970,” Narrative Magazine, Finalist, 2nd Annual Poetry Contest(forthcoming).
“A Technological Breakthrough of Immense Proportions” and “The Brain”,
Caduceus 8, Art Place & The Physicians of Yale University, Fall 2010.
“Do I Wake or Dream?” The Prospect: The Hartford Club’s Magazine of Ideas and Opportunities, August/September 2010.
“Criticality,” “Lorena,” “On the Front Porch of the World,” “Italian Names,” “Murray the Outlaw of Falahill,” “The Blameless Cage of the Brain,” ConnotationPress.com (September 2010). http://www.connotationpress.com/featured-artist/september-2010/552-gray-jacobik-featured-artist-of-the-month
“Former Lovers,” Tiferet (Issue 15, August 2010) and “After Midnight”
(forthcoming).
“Name Gourmand,” Southern Poetry Review, finalist, Guy Owen Prize, 2009, Vol. 47, No. 2, Fall, 2010.
“From Palm Beach, Florida,” Women’s Studies Quarterly: Citzenship, Vol. 38,
Nos. 1&2, Spring/Summer 2010.
“Eleanor Discovers Lucy Mercer’s Letters,” “The Surprise,” and “The Nomination”, Drunken Boat (www.drunkenboat.com) , Issue 12,
September 2010.
“The Lunch Date,” Connecticut River Review, Fall 2010.
“The Skeptic’s Prayer,” Third Coast, Western Michigan University, Fall 2009, Winner, Poetry Prize (first place, selected by David Rivard).
“Adjustments,” Big Bridge, No. 14, under “War Poems” edited by Hal Johnson,(http://www.bigbridge.org/BB14/poetry.htm), 2009.
“Oysters,” Southern Women’s Review, Vol. 1, No. 1, Summer 2009. (www.southernwomensreview.com). Nominated by the Editor, Clavell,
for a Pushcart Prize.
“To Robert Frost,” Vermont Literary Review, Fall 2009 (forthcoming).
“After Last Decisions,” Caregiving and Carework, Association for Research
on Mothering, Toronto, Ontario, Vol. 10, No. 1, Spring/Summer 2008.
“A Friend of the Family,” “Alligator Pears,” “Grading,” “Former Lovers,” Connecticut Review, Vol. XXIX, No. 1, Spring 2007.
”Woolgathering,” Texas Review, Vol. 25, No. 2, Fall 2004.
‘The Accident,” Bellevue Literary Review, Issue #6, Spring 2004.
“Sasturgi: Wind-Sculpted Snow,” and “The Apple Tree,” Valparaiso Poetry
Review, Spring 2004.
“A Permanent Bridge,” “Wild Draft From a Sealed Window,” Tiferet,
Winter 2004, Vol. 1, No. 1.
“The Promise” and “A Blue and Gold Mistake,” Spirituality & Health,
Winter 2004.
“The Ex,” “Early April, Night, Driving Home,” “Celestial Mechanics,” Tar
River Poetry, Fall, 2003.
“The Neighborhood,” “The Petitioner,” “Eating Chocolate,” and “Large
Talk,” Mosaic: Art and Literary Journal, Univ. of Calif., Riverside, 2003.
“The Shabby Truth,” “Night of the Great Outpouring,” “Lilies,” “Of Cos
Cob in Snow,” “The Theory of Non-Elephants,” “Carpenter on New
Years,” “Early February,” “In the Bedroom,” Diner, (special feature,
including interview), Worcester, Mass. Vol. 2, No. 2, Fall/Winter 2002.
“Meditation in Blue,” 5 AM, Issue #17, Spring Church, PA., Fall 2002.
“The Tapeworm,” The Writer’s Chronicle, Associated Writing Programs, Special Commemorative Issue 2002.
“Man Sleeping on the West Coast of Ireland,” “Pigs on the Town,” “The
Three Eyes,” “Breasts,” Agora, on-line, http://www.eiu.edu/~agora
(Eastern Illinois English Department), Spring 2002.
“The Frightful Allure,” Image: A Journal of the Arts and Religion, Number 34, Spring 2002.
“Surrealisme,” The Antioch Review , Vol. 66, No. 1, Winter 2002.
“Silence” and “An End of the Millenium Party”, Inertia (inertiamagazine.com), Issue #1.
“Crows,” and “Sweeping Sorrows,” Iron Horse Review, Vol. 3, No. 1,Winter 2001.
“How to Paint Water,” Crab Orchard Review, Vol. 7, No. 1, Fall/Winter 2001.
“Unlikely Events,” American Literary Review, Vol. XII, No. 2, Fall 2001.
“Forgetting David Weinstock,” Ontario Review , No. 55, Fall 2001.
“Driving State Highway 67,” “Stone Soup,” “Prayer for a Late Spring,” and “Vet— Will Work for Food,” Connecticut Review, Vol. XXIII, No. 2, Fall 2001.
“Massage Parlor Days,” Solo 4: A Journal of Poetry, Solo Press, Caprinteria, CA and North Wilkesboro, NC, January 2001
“Clamming in Evening Light,” and “Calm Sea and Prosperous Voyage,”
The Drunken Boat (www.thedrunkenboat.com).
“Vacation Village” and “Men’s Voices,” Louisiana Literature, Southern Louisiana University, Vol. 17, No. 1, Spring 2000.
“The 750 Hands,” Poet Lore, The Writers’ Center, Bethesda, Maryland,
Vol. 95, No. 2, Summer 2000.
“Heat Wave,” Confrontation, No. 70/71, Winter/Spring 2000.
“Self-Portrait With Swans and a Card Sorter,” Alaska Quarterly Review,
Vol. 18, Nos. 1 & 2, Spring & Summer 2000.
“Etymology,” The Kenyon Review, Kenyon College, Gambier, OH,
Vol. 22, No. 1, Winter 2000.
“The Tapeworm,” and “The Power Outage,” The Salt River Review,
(http://www.mc.maricopa.edu/users/cervantes/SRR/), Vol. 3, No. 1, Winter 1999-2000.
“Pollock’s Paintings,” Poetry, Vol. CLXXY, No. 3, December 1999.
“On the Irish Coast,” Recorder: Journal of the Irish-American Historical Society, Vol. 12, No. 2, Fall 1999.
“The Ideal,” Ploughshares (selected by Mark Doty), Boston, MA., Vol. 25, No. 1, Spring 1999.
“Initiation,” “Working Stiff,” and “Temperaments” The Cortland Review,
(http://www.cortlandreview.com), Issue #7, May 1999.
“The Disclosure,” Sycamore Review, West Lafayette, IN., Vol. 11, No. 1,
January 1999.
“The Nap,” and “Apples,” LUNA, University of Minnesota, Minneapolis, MN., Spring 1999.
“Genius,” Blue Moon Review (http://www/thebluemoon.com), January 1999.
“Perspectives,” “The Girls of Cork City,” and “Pregnant” Ontario Review,
Princeton, NJ, Spring 1999.
“Demeter in November,” The American Voice, Louisville, KY, No. 47, 1998.
“Faith,” Manzanita Quarterly, Ashland, Oregon, Vol. 2, No. 1, Autumn 1998.
“Woman With Place Names in her Mouth,” and “West of Tucson,”
American Poetry Monthly .
“A Little Charade,” The Prose Poem, Providence College, Providence, R.I.,
Volume 7, Summer 1998.
“Holes,” and “Motion Like Memory is Hard to Encumber,” Hurricane Alice:
A Feminist Quarterly , Rhode Island College, Providence, RI, Winter 1998.
“Death is a Material Flower,” Tar River Poetry, East Carolina University,
Greenville, N.C., Vol. 38, No. 2, Spring 1998.
"Heat Wave," Confrontation: The Literary Journal of Long Island University, Brookville, NY, Winter, 1998.
“The Breakfast Room,” and “The Circle Theatre,” Alkali Flats, Montana State University, Billings, Montana, Spring 1998.
“The Limits of Knowledge,” Atlanta Review, Atlanta, GA, Fall 1997.
“Turning on the Computer,” Slant, University of Central Arkansas, Conway, AR, Vol. XI, May 1997.
“The Installation,” The Chattahoochee Review , DeKalb College, Dunwoody, GA, Vol. 17, No. 4, Summer 1997.
"The Buck in the Snow" and "Turkeys in August," Ontario Review, Princeton, NY, No. 46, Spring/Summer 1997.
"Figuration," Alaska Quarterly Review, University of Alaska, Anchorage, Alaska, Vol. 15, No. 3 & 4, Spring & Summer, 1997.
"The Movie Fan," Louisianna Literature, Southeastern Louisiana University, Hammond, LA, Winter 1997.
"Possible Occasions of a Shimmering of Light," and "The Cats on the Hill,"
The Midwest Quarterly, Pittsburg State University, Pittsburg, KS, Vol. 38, No. 2, Winter 1997.
"The Composer," “Sylvia Plimack Mangold Paints,” “The Last of Our Embraces,” and “Cold Constellations,” Connecticut Review, Southern Connecticut State University, New Haven, CT, Fall 1997.
"Daybreak," The Chattahoochee Review , DeKalb College, Dunwoody, GA,
Vol. XVII, No. 2, Winter 1997.
"Keepsakes," CrazyQuilt , San Diego, CA., Summer 1996.
"The Gift," Xanadu, Huntington, NY, Nos. 18 & 19, 1997.
"Love in a Time of Riot," and "Two Housewives," Amaranth, Trumbull, CT, Fall/Winter 1996.
"Vines and Cathedral Lines," Connecticut English Journal, Vol. 23,
Spring 1996.
"Tidewater," Vermont Literary Review, Castleton State College, Castleton, VT, Vol. III, No. 1, Spring/Summer, 1996.
"Catch-as-Catch-Can," My Back Pages (guest column), The Boston Sunday
Globe, Book Reviews, Boston, MA, May 12, 1996.
"Vespers" Laurel Review, Northwest Missouri State University, Maryville, MO, Vol. 30, No. 2, Summer 1996.
"Sappho Views Her X-Rays" and "The Queen of Pure Poetry," Pivot, State College, PA, No. 44, Fall 1996.
"The Lyre," "Sappho Missing Cleis," "Sappho's Voice," "Beatrice Teases Sarah for Falling in Love," "Sappho's Vision" and "Sappho's Visit to the Yellow Harpies Draws to a Close," Prairie Schooner, University of Nebraska, Lincoln, NE, Vol. 70, No. 1, Spring 1996.
"Parrots," Sojourner: The Women's Forum, Boston, MA, January 1996.
"The Past," Southern Humanities Review , Auburn University, Auburn, AL,
Vol. 30, No. 4, Fall 1996.
"True Spring," Yankee, Yankee Publishing Inc., Dublin, NH, March 1997.
"Near the End," and "The Smallness of the Human Condition," Weber Studies, Weber State University, Ogden, UT, Vol. 13, No. 2, Spring/Summer 1996.
"The Bed of Music," North American Review , University of Northern Iowa, Cedar Falls, Iowa, Vol. 281, No. 1, January/February 1996.
"Raining Through a Gray Light," The Midwest Review , Pittsburg State University, Pittsburg, KS, Vol. 38, No. 1, Autumn 1996.
"Skirts," The Georgia Review, University of Georgia, Athens, GA, Vol. XLIX, No. 4, Winter 1995.
"First Marriage" and "Dust Storm," Ploughshares, Vol. 21, No. 4,
Winter 1995-96.
"The Wooden Egg," American Literary Review , Vol. VI, No. 2, Fall 1995.
"Matisse's Odalisques" and "Windows," Interim, Vol. 14, No. 2, Winter 1995/96.
"November," "The Milky Way," and "Funereal," Alaska Quarterly Review,
University of Anchorage, Anchorage, AK, Vol. 13, No. 3 & 4,
Spring & Summer 1995.
"The Crab," The Laurel Review, Northwest Missouri State University, Maryville, MO,Vol. 29, No. 1, Winter, 1995.
"Sandwoman," Southern Poetry Review, Vol. 34, No. 2, Winter 1994.
"Crows," The Worcester Review, Fall 1994.
"Walking to an Eight O'Clock Class," "Pace," and "Stones and Soil,"
Ontario Review, No. 39, Fall/Winter 1993-94.
"The Turning," Pivot, University of Pennsylvania, Vol. 15, No. 41, 1993.
"Bike Ride," "Leaving Town," and "Morning Light Like Mercury Beads,"
West Wind Review, Southern Oregon State College, Spring 1993.
"Owls," "The Gift," and "Brain Teasers," Sycamore Review, Purdue University, Vol. 5, No. 2, Summer 1993.
"Seven Sourpusses of Okolona, Illinois" and "Processes and Relationships,"
Centennial Review, Michigan State University, Vol. 37, No. 3, Fall 1993.
"Revising the Sixties: On the Road," Wisconsin Review, Vol. 27, No. 2,
January 1993.
"A January Morning When Ambition Released Its Grip," and "February Morning, Snow Overnight," Riverrun, Winter 1993.
"Window With A Dozen Small Panes," Poet Lore, Vol. 88, No. 2, Summer 1993.
"The Portrait," Chrysalis: Magazine of the Swedenborgian Society, Vol. 8, No. 1,
Spring 1993.
"Stars and Constellations," "Living on the Prairie," and "Dickinson at Work," Connecticut Review, Spring 1993.
"The Gentle Beasts," Poets On, Vol. 17, No. 1, Winter, 1993.
"Love Poem for a Familiar," and "Economies," Farmer's Market, Issue #20,
Fall/Winter 93/94.
"The Raffle," Sun Dog: The Southeast Review, Florida State University,
Vol. 13, No. 1, 1993.
"Rappelling," Louisiana Literature, Southeastern Louisiana University, Vol. 9, No. 2, Fall 1992.
"Cliff Waters and Mary Ann Whalen," Hampden-Sydney Poetry Review,
Fall/Winter 1992.
"July" and "The Banquet of Life," Epiphany, University of Arkansas, Fall 1992.
"The Laughing Buddha" and "Marriage Counselling" Clockwatch Review, Illinois Wesleyan University, Fall 1992.
"The Transpersonal" (fiction), The Nebraska Review, University of Nebraska, Spring 1991.
"The Dinner Date," Caprice, Summer 1991.
"Armageddon," "Fathers Returned From Wars," "Patience Moon," and "Amaryllis," Matrix 16, Fall 1991.
"Looking at Fields," (Second Prize Winner), The Worcester Review,
Worcester, MA., Vol. 12, Nos. 1 & 2, 1991.
"Astronomy Lesson," Hiram Poetry Review, Hiram College, Ohio, Spring 1990.
"The Rainy Season," Oxford Magazine, Miami University, Spring/Summer 1990.
"The Desk," "The Male," "Mid-Semester Break," "My Life as an Artist,"
"Perspectives," "Physics of Desire," "Sex and the Flesh," "Snowbank,"
"Walking Highway 130 Charleston, Illinois," and "The Unbecoming,"
Tamaqua, Parkland College, Urbana, IL, Vol. 2, No. 1, Summer/Fall 1990.
"Re-Inventing My Mother's Life," Xanadu, L. I. Poetry Collective, Issue 13, 1990.
"Poetics, Metaphysics, and Midwifery" (interview), Tamaqua, Vol. 2, No. 1, Summer/Fall 1990.
“The Return," Wordsworth's Socks, Long Beach, CA., No. 2, 1990.
“Angels” and "My Grandmother's Friends," Tamaqua, Vol. 1, No. 2, Winter 1990.
"Pink Tulips: Georgia O'Keeffe," South Dakota Review, University of South Dakota,Vermillion, S.D., Winter 1989/1990.
"Things of This World," Echoes, No. 12, Spring 1989.
"In Medius Res," Oxford Magazine, Miami University, Vol. 5, No. 2,
Fall/Winter 1989.
"The Absence," The Cache Review, Spring 1989.
"How Malatcha Got One of Her Sons," Slant, University of Central Arkansas, Vol. 3, 1989.
"Daytona Beach," "Fast and Slow Dancing" and "Seven Little Ecstasies," Zone-3, Austin Peay State University, Vol. 4, No. 2, Spring 1989.
"Leaves," Chrysalis (Swedenborg Foundation magazine), Vol. 4, Issue 3,
Autumn 1989.
"Portions," Blueline, SUNY Potsdam, Vol. 10, Nos. 1 & 2, 1989.
"Bulgaria," The Laurel Review, Northwest Missouri State Univ., Vol. 23, No. 1, Winter 1989.
"The Biker" and "Honeymoon," The Ontario Review, Princeton, N.J.,
Spring 1988.
"The Old Story," The Hollins' Critic, Hollins College, Vol. 25, No. 1,
February 1988.
"A Matter of Interpretation" and "The Wind," Blue Pitcher, Greensboro, N.C., Vol. 3, No. 1, Spring 1988.
"The Osprey," Silver Wings, Pearblossom, CA., Vol. 6, No. 2, Spring 1988.
"The End of August," "The Soft Light" and "Night and Day," The Cream City Review, Vol. 12, No. 2, Univ. of Wis. at Milwaukee, Summer 1988.
"Postcard Photograph," The Bellingham Review, Bellingham, Washington,
Vol. 11, No. 2, Fall 1988.
"The Man Who Feared Women," Ball State University Forum, Vol. 29, No. 4, Autumn 1988.
"Starting Over," South Florida Poetry Review, Ft. Lauderdale, Vol. 5,
No. 2, Winter 1988.
"The Lonely Child," Panoply, Lincoln, Nebraska, Vol. 2, No. 2, Winter 1988.
"Betrayal," Manhattan Poetry Review, Vol. 11, No. 1, 1988.
"Costume Shop," "Phantom," and "How Can We Tell The Dancer From
The Dance?" Ampersand, Emory, VA., Winter 1988.
"Country Road," "Woodstove" and "The Turn," Blueline, Vol. 9, Nos. 1 & 2, 1988.
"Ice Over Snow," The Cream City Review, Univ. of Wisconsin at Milwaukee, Vol. 11, Nos. 2 & 3, Spring 1987.
"Calligraphy," "Pearl," "Central Maryland," "Silence," "S Street," "The Present," "Letter from Mazamet," "Night Garden," 415 South Street,
Brandeis University, Spring 1987.
"Longing," Z Miscellaneous, July 1987.
"Flamingoes," (won second prize), The Nebraska Review, Univ. of Nebraska, Omaha, Vol. 15, No. 2, Spring/Summer 1987.
"Old Leaves" and "The Widow," Panoply, Kansas City, MO, Vol. 1, No. 3,
Summer/Fall 1987.
"Chesapeake Summer," Kentucky Poetry Review, Bellarmine College,
Vol. 23, No. 2, Fall 1987.
"Gardening Questions," Poetry East, DePaul University, Chicago, Nos. 23
and 24, Fall 1987.
"Florence," The Minnesota Review, Special Issue: Feminism, Psychoanalysis
and Cultural Critique, SUNY at Stony Brook, NS 29, Fall 1987.
"The Value of Grandparents," The Carousel Review, The Writers' Center,
Glen Echo, Maryland, December 1987.
"The Scholar's Undoing," (Second Prize) Xanadu, Huntington, NY, Issue 11, Fall 1986.
"Etching" and "Flight," The Worcester Review, Worcester County Poetry
Association, Fall 1986.
"Evening, East of Wheeling," Tar River Poetry, Eastern Carolina University,Vol. 26, No. 2, Fall 1986.
"Anticipation," Kether, Brandeis University, Vol. 6, Issue 1, Fall 1985.
"Around Us The Night Is Seeking A Voice" and "White Streets," Kether, Brandeis University, Vol. 5, No. 2, Spring 1985.
"In Music I Listen To" and "Telemann and Two Cats," Kansas Quarterly Review, Kansas State Univ. Manhattan, KS, Vol. 16, Nos. 1 & 2, Winter/Spring 1984.
"George Lang," Skyline, Charlottesville, VA, Vol. 2, No. 2, Summer 1981 and Yearbook of American Poetry, 1984.
"Three Janes," "Sex's Other Face is Fear," "Flight," "Closing Shop," "FifteenthSequence of Youthful Love" and "Storm," Kether, Brandeis University, Vol. 5, No. 1, Fall 1984.
"Malatcha's Marriage," The Mickle Street Review, Camden, NJ, No. 5, 1983.
"Correct Conception," Whose Woods These Are (anthology), ed. Karren Alenier, Wordsworks, Washington, D.C., 1983.
"First Solitude," The New Laurel Review, New Orleans, Vol. 13, Nos. 1 & 2,
Spring/Fall 1983.
"Tranquil Passages," Poet Lore, Washington, D.C., Vol. 76, No. 4, Winter 1982.
"At the Supper Hour," The Cream City Review, University of Wisconsin at
Milwaukee,Vol. 6, No. 2, 1981.
"January Mid-Week," Poets On, Chaplin, Connecticut, Vol. 5, No. 2,
Summer 1981.
"Time and Knowing," The Ear's Chamber (anthology), ed. Stacy Tuthill,
SCOP Publications, 1981.
"So You'll Know," The George Washington Review, George University,Vol. 2, No. 1, Winter, 1981.
"Single Parent," Sulphur River, East Texas Station, Commerce, TX, Vol. 3,
No. 1, Spring 1981.
"Johnny," The Texas Review, Sam Houston State University, Fall 1980.
"5:30" The New Laurel Review, Vol. 9, Nos. 1 & 2, Spring/Fall, 1979.
"Central Maryland, 1963" and "5:30," The Poet Upstairs (anthology), ed.,
Octave Stevenson, Washington Writers' Publishing House, 1979.
"Anniversary Poem," Gargoyle, Chevy Chase, Maryland, No. 8, 1979.
"Madonna" and "The Morning After," Aleph, Takoma Park, Maryland, Fall 1979.
"Rock Creek in Full Regalia," Rock Creek Magazine, George Washington
University, Spring 1977.
"Ground Level," City Celebration (anthology), ed. Octave Stevenson, District of Columbia Bicentennial Commission, 1977.
"Alluvia" and "Reveille," Rye Bread: Women Poets Rising, (anthology),
eds. Stacy Tuthill and Walter Kerr, SCOP Publications, 1977.
"Thirteen Trips to Cambridge," Moonchild: An Anthology of Women's Verse
and Prose, ed. Ismail Ersevim, SUHA Publications, Cambridge, MA, 1976.